Coming up: vocabulary Hamlet 6 review on Thursday
vocabulary quiz on Friday
In class: due today- Figurative language graphic organizer. After the beginning of class, it is 20 points off the top. Writing grade.
Class work; Writing assignment. See copy of handout below. DUE AT THE CLOSE OF CLASS, unless you have an extension. These are due tomorrow at the beginning of class. I have sent a copy to the resource teachers.
Learning targets: I can determine the meaning of words and phrases as they are used in the text, including figurative and connotative meanings; analyze the impact of specific word choices on meaning and tone, including words with multiple meanings or language that is particularly fresh, engaging, or beautiful.
I can introduce, knowledgeable claim(s), establish the significance of the claim(s), distinguish the claim(s) from alternate or opposing claims, and create an organization that logically sequences claim(s), counterclaims, reasons, and evidence.
Essential question: What techniques are most effective in making a convincing argument?
Name_______________________________ the development of the theme of moral
corruption
We have already watched and reviewed
this scene.
Directions: In Act 3 Scene 4, Hamlet
confronts his mother with her disloyalty. In the following conversation between
Queen Gertrude and Hamlet, the prince makes an impassioned argument for why
Gertrude could not possibly love Claudius.
In a well-written paragraph of five to nine sentences, show how Hamlet
develops his argument.
1. Read and annotate the
text. Write any observations or
comments on the text. Use your notes to write your paragraph.
2. If you are unsure how to
begin: Hamlet attempts to prove to his mother Queen Gertrude that she could not
possibly love Claudius by ….
3. Please begin with an MLA
heading. The title of the paragraph is Hamlet’s Conversation. Make sure to
weave in textual evidence and include the line citation.
4. Use attached lined paper.
QUEEN GERTRUDE
|
What have I done, that thou darest
wag thy tongue
|
|
In noise so rude against me?
|
||
HAMLET
|
Such an act
|
40
|
That blurs the grace and blush of
modesty,
|
||
Calls virtue hypocrite, takes off
the rose
|
||
From the fair forehead of an
innocent love
|
||
And sets a blister there, makes
marriage-vows
|
||
As false as dicers' oaths: O, such
a deed
|
||
As from the body of contraction
plucks
|
||
The very soul, and sweet religion
makes
|
||
A rhapsody of words: heaven's face
doth glow:
|
||
Yea, this solidity and compound
mass,
|
||
With tristful visage*, as against the doom, *sad face
|
50
|
|
Is thought-sick at the act.
|
||
QUEEN GERTRUDE
|
Ay me, what act,
|
|
That roars so loud, and thunders
in the index?
|
||
HAMLET
|
Look here, upon this picture, and
on this,
|
|
The counterfeit presentment of two brothers. *picture
|
||
See, what a grace was seated on
this brow;
|
||
Hyperion's* curls; the front of Jove* himself; * sun god, head god |
||
An eye like Mars, to threaten and command; *god
of war
|
||
A station like the herald Mercury * god of poetry, abundance
|
||
New-lighted on a heaven-kissing hill;
|
||
A combination and a form indeed,
|
60
|
|
Where every god did seem to set
his seal,
|
||
To give the world assurance of a
man:
|
||
This was your husband. Look you
now, what follows:
|
||
Here is your husband; like a mildew'd* ear, * rotted
|
||
Blasting his wholesome brother.
Have you eyes?
|
||
Could you on this fair mountain
leave to feed,
|
||
And batten on this moor*? Ha! have you eyes? *barren land
|
||
You cannot call it love; for at
your age
|
||
The hey-day in the blood is tame,
it's humble,
|
||
And waits upon the judgement*: and what judgement *judgement day
|
70
|
|
Would step from this to this?
Sense, sure, you have,
|
||
Else could you not have motion;
but sure, that sense
|
||
Is apoplex'd; for madness would not err, *like a brain hemorrhage
|
||
Nor sense to ecstasy was ne'er so
thrall'd
|
||
But it reserved some quantity of
choice,
|
||
To serve in such a difference.
What devil was't
|
||
That thus hath cozen'd you at hoodman-blind? *
tricked
|
||
Eyes without feeling, feeling without
sight,
|
||
Ears without hands or eyes,
smelling sans all,
|
||
Or but a sickly part of one true
sense
|
80
|
|
Could not so mope.
|
||
O shame! where is thy blush?
Rebellious hell,
|
||
If thou canst mutine* in a matron's bones, *mutiny/ rebel
|
||
To flaming youth let virtue be as
wax,
|
||
And melt in her own fire: proclaim
no shame
|
||
When the compulsive ardour* gives the charge, *passion
|
||
Since frost itself as actively
doth burn
|
||
And reason panders* will. *to gratify even if
morally wrong
|
||
QUEEN GERTRUDE
|
O Hamlet, speak no more:
|
Thou turn'st mine eyes into my very soul
|
No comments:
Post a Comment